La sombra de lo fértil. Licet González

May 10 to 31, 2026

The works in this exhibition seem to emerge from a territory in which nature can no longer be viewed as a neutral landscape, celebrated as a refuge, or reduced to a decorative backdrop for the human experience. Here, nature appears traversed by action, by pressure, by capture. It is not a pacified exterior, but a field of forces: greenhouses, crops, weeds, tools, agricultural structures, urban waste, monumental flowers, paths, plant produce, human figures working, harvesting, or simply appearing within a scene that is never innocent. In this sense, the exhibition approaches a political understanding of nature, understood not as a reality separate from society, but as a space where knowledge, techniques, economies, and conflicts intersect. The exhibition is organized by the Friends of the Garden Association.

The idea of using dolls to recreate the garden's history was conceived by the artist Alberto Martin, who has been putting together displays with Barbie dolls for many years. After studying a number of late 19^th-century photographs, mostly from the Silvela Legacy, he created a series of almost identical scenes using not only the world-famous Barbie but also Ken, Madelman and other similar figures. Sponsored by the Malaga Foundation and the Friends of La Concepcion Association.

The aim of this exhibition is to portray both a key period in the history of La Concepcion and the Bourgeois lifestyle of the time in a way that will appeal to visitors of all ages. All of the materials used in the displays have been recycled: bottle tops, sink racks, clothes pegs, pencil sharpeners, pin cushions etc. Each figure is dressed in a different costume and hat made from dressmakers' cuttings; the hairstyles, fans and parasols sported by the women are all unique and were inspired by 19^th-century clothing catalogues.

This exhibition displays period furniture in the room that housed the library of the Casa Palacio in the 19th century. The room can be accessed through a methacrylate tunnel to prevent deterioration of the furniture. This is intended to enhance the value of the elements of this space, which has allowed not only to improve its preservation, but also to generate greater artistic and cultural interest among visitors. Most of this furniture is part of the municipal heritage and dates from the second half of the nineteenth century and the first half of the twentieth century. Some of the most noteworthy are the office table of General Espartero, made of oak and of French origin, which served as Jorge Loring's own desk; as well as a mahogany chair that accompanies it. Another valuable element is an English Edward VI style mahogany corner cabinet with built-in bookshelves, display cabinet, table and sofa.